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Joined 1 year ago
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Cake day: July 5th, 2023

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  • LMAO way to assume shit about me.

    I only go by steam reviews and gameplay videos/demos, if the games aren’t recommended by someone I know personally.

    Game journalism has always been essentially marketing, the publications are way too tied to the industry and way too dependent on advertising from the same companies and products they’re supposed to be criticising, hence why big titles that get less than an 8 are equivalent to normal games getting a 2 or a 3.

    Good games will rise to the top organically, some might get lost in the shuffle but it won’t be the perennially 2 weeks late big budget crap apologists at whatever game “”“news”“” publication you care to name to fix that.




  • He’s objectively not that important of a person.

    He’s the EIC of a tiny journalistic outlet that basically lives off of one or two of its content creators’ clout (one of whom was Frost), and a terminally online asshole on his own time.

    Good for Frost for getting rid of that albatross, basically; Calandra is about as useful as a sawblade made of dicks, his survival in the public sphere is entirely predicted on people wanting to work for him, and any one person deciding not to is a step in the right direction.












  • Game journalism is a marketing tool. When pieces come out preemptively defending a product (any product) from some specific criticism, it’s because the company is both confident that those criticisms will be levied, and that they won’t shake out favourably.

    That’s it, that’s the whole reasoning.

    They know they won’t come out looking in any way comparable in terms of scope, quality, etc, and they’re putting their hands forward through their connections with the press, hoping at least some people will buy this obvious attempt at ass covering and refrain from publicly criticising their product.