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Joined 1 year ago
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Cake day: July 5th, 2023

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  • Because it’s pressvertising.

    Veilguard has had a year (at least) of relentless, shameless astroturfing, ever since BG3 got GOTY, because EA knows it’s not gonna be even close to competing with it and they (rightly) fear Veilguard will get shat on, especially since Bioware is on a 2 games abject failure streak with Andromeda and Anthem both failing horribly and Inquisition having at best a mixed reception with how buggy and repetitive it was at launch.


    As a rule of thumb: if an article comes out before a game’s actual release, it’s positive about an aspect the game or franchise is known to be lacking in, and it sounds like John Oliver’s parody of a corporate shill? It’s pressvertising.

    It’s access-for-coverage, a trading of favours that stays undisclosed because technically no money changed hands; however, in the past we’ve seen what happens to outlets that don’t kiss the ring and use the access to actually speak negatively of the product, or even neutrally, so we know there is an implicit (and explicit if you know the history of these dealings) pressure to be positive at any cost.


    So in short: it’s a bad article pretending to analyse the content they have early access to when really they’re just advertising the game uncritically. It’s literally just source-washed marketing material.







  • LMAO way to assume shit about me.

    I only go by steam reviews and gameplay videos/demos, if the games aren’t recommended by someone I know personally.

    Game journalism has always been essentially marketing, the publications are way too tied to the industry and way too dependent on advertising from the same companies and products they’re supposed to be criticising, hence why big titles that get less than an 8 are equivalent to normal games getting a 2 or a 3.

    Good games will rise to the top organically, some might get lost in the shuffle but it won’t be the perennially 2 weeks late big budget crap apologists at whatever game “”“news”“” publication you care to name to fix that.




  • He’s objectively not that important of a person.

    He’s the EIC of a tiny journalistic outlet that basically lives off of one or two of its content creators’ clout (one of whom was Frost), and a terminally online asshole on his own time.

    Good for Frost for getting rid of that albatross, basically; Calandra is about as useful as a sawblade made of dicks, his survival in the public sphere is entirely predicted on people wanting to work for him, and any one person deciding not to is a step in the right direction.