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Cake day: June 14th, 2023

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  • Well; you could use that engine to produce something well-written, deep and interesting like New Vegas, but that still got dinged for being an absurdly bug-ridden release with serious performance issues. It was great despite the engine, not because.

    There’s some slightly-shonky open world engines that support some really impressive RPGs (eg. Baldur’s Gate 3 on the Divinity engine - looks great but performance is arseholes) and some very impressive open-world engines that support some lightweight RPGs (eg. Horizon Forbidden West on the Decima engine - looks great and smooth as butter). And then you’ve got the Creation engine, which looks terrible and has terrible performance, and which runs bugs and glitches in a way that combines into (usually) very shallow RPGs.



  • Yeah, it’s always had really strong art direction - still holds up, and you don’t notice missing shadows so much in the middle of a frenetic sequence anyway.

    Good to see ray tracing coming along. You could get the same shadows and lighting in a modern rasterising engine now as demonstrated in the RTX version, but at the cost of much more development time. Graphics like that being available to smaller studios and larger games being feasible for bigger studios would be great. HL2 is massive compared to modern shooters, and not having to spend forever tweaking each scene helps with that.



  • Seems fair both ways to me. That doesn’t seem an unreasonable amount of pay for a day’s work, as even if the ‘final product’ is only a minute, it will still have stopped him from doing much other work that day. Contrariwise, if he’d been asking for any more, the client would have been able to find someone else to do it just as well at the original price, since the requirement is basically ‘clearly spoken’. Wouldn’t make sense to get Ian McKellen in to interpret this bit of acting work.






  • That’s almost exactly the problem. English uses helper words exclusively for future tense, and indeed, helper words like ‘to’ to form an infinitive. ‘Will’ is the helper word to show that something is a fact, that it is definite - grammatically, it is indicative. (The sun will rise tomorrow.) ‘Would’ is the helper word to show that something is an opinion, or dependent on something else - grammatically, it is subjunctive. (If you push that, it would fall; if it was cheaper, I would buy it.)

    Spanish has both helper words for future tense (conjugations of ‘ir’, analogous to ‘going to’, often used in speech) and straight-up conjugations for future tense (doesn’t exist in English; often used in writing). It also conjugates verbs differently if they’re indicative, subjunctive, or imperative (asking or telling someone to do something). This is how Spanish manages to have fifty-odd ways to conjugate every verb, which is very confusing to English speakers who make do with three ways and helper words.

    Translating a ‘future tense sentence’ for Duolingo requires you to have psychic powers about whether something is fact or opinion, which helper words are wanted, and so on, and it usually comes down to guessing between multiple ‘correct’ answers, which Duo will reject all but one of.


  • Absolutely this. I’d have argued that ‘every day’ is a more idiomatic translation than ‘daily’, and what native speakers would say, but that’s irrelevant. English tends to emphasise the end of sentences as the most important part, so all these translations are correct depending on the nuance that you intend:

    • Daily in Hamburg, many ships arrive (as opposed to eg. cars, or few ships)
    • Daily, many ships arrive in Hamburg / Many ships arrive daily in Hamburg (as opposed to eg. Bremen)
    • Many ships arrive in Hamburg daily (as opposed to eg. weekly)

    Wouldn’t question any of those constructions as a native speaker. In fact, original responders’ example was why I gave up on Duolingo myself originally, some years ago. Translating ‘future tense’ sentences from Spanish into English or back again is always going to be a matter of opinion, since English doesn’t have the verb conjugations that Spanish does. Guessing the ‘sanctified answer’ is tedious, when a lot of the time it’s not even the most natural form of a sentence.



  • Well; setting aside the small reference pool of modern gaming journalism, I’m not sure that it is such a big step from HL to CoD, just a bit of a step down. HL is as much of a ‘corridor shooter’ as you could ever hope to find - there’s one path through it, and I doubt that many people deviate from it all that much on a playthrough. The difference is, that HL is super imaginatively dressed up on that one path. The levels have a real sense of place. Like you say, the puzzles are never all that difficult, but they’re extremely well-integrated into the design; they feel like the kind of obstacles that you might have to overcome in a top-secret research facility when disaster has struck. And they’re mainly new puzzles; nothing hackneyed or tropey here.

    From the article:

    In many ways, Half-Life can be seen as an indictment of the video game industry: how can a 25 year-old game be better than almost every shooter that has followed it? Why has its ambition only ever been exceeded only by its own sequel? It paints a picture of a stagnated industry still playing with toys from the 1990s.

    I think there’s two problems here; one is that it’s safer to play follow-the-leader, and one is learning the wrong lesson from the leader. Kind of hard to believe now, but HL was considered a graphic powerhouse when it came out, requiring some of the top class machines of the day. But I think that the kind of ‘immersive feeling of wonder’ that HL has via its design conjuring up a real place is mostly due to its environmental storytelling and the novelty of not knowing what to expect around each corner. The imitators saw the twisty-but-linear game, and decided that the most important thing to copy was to have as much graphics as possible. Can’t copy the imaginativeness and the care, so yeah, perpetually taking control away from you for a shooting gallery setpiece, when in fact that only draws you in in a superficial way.

    I wouldn’t mind other games copying HL if what they wanted to copy was inventiveness, experimentation, and non-stop gameplay. Copying the things that were new about HL is the complete wrong thing to copy, though.






  • I was bewildered by this myself. The developers who were famous for their walking simulators but who fired all their staff a few years back (keeping the studio founders) have taken over a project where the original developers were dismissed amid some damaging-sounding rumours and budget overruns. Hardsuit Labs presumably had completed most of the initial writing work and concept art - their ‘tech demos’ looked pretty convincing, even though that kind of thing is very carefully managed - but must have still been a long way from anything that could be released. A mystery. See how it goes - still a year away, anyway.